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Posts Tagged ‘Mad Men’

Jim Breitinger

A Mad Man is Born.

Skip is second from the right, with his ABC colleagues in 1963.

Skip is second from the right, with his ABC colleagues in 1963.

In the late summer of 1963, a young man named Skip Branch set off from Salt Lake City for Los Angeles with his wife. The couple temporarily left their one year-old toddler at home in Utah with his grandparents as Mom and Dad set off for the big city to pursue a new life. Skip was putting himself on a path that would land him squarely into the world of TV’s Mad Men.

At 21 years old, Skip was only a few years younger than the fictional advertising executives and creative staff of the hit AMC show. He had no job lined up, not even any interviews — just a notion that he would become a writer or an actor. Somebody mentioned advertising to him as a possible career so his job search expanded in that direction.

In a month, Skip landed a job with the American Broadcasting Company (ABC) network working in advertising sales. His starting salary was $400 per month. The family moved in to a basement apartment next to the freeway and they barely had enough money for food.

Skip Branch had arrived on the ground floor of an industry at a time in America that Skip says is faithfully captured by Mad Men’s creator Mathew Weiner. His office was at Hollywood and Vine. The famous Hollywood Brown Derby–a place where deals were made–was around the corner. Brooks Brothers suits were the uniform of the day. Skip had arrived.

His first day at work played out like a scene from Mad Men. “Two of the guys I worked with took me to lunch. When we arrived, the waitress already knew what they were drinking: a vodka gimlet and a vodka martini on the rocks. I ordered a vodka martini on the rocks. Before we ordered our food we had to have a second round. One of the guys was on to his third drink by the time our food arrived. By then my cheeks were getting numb and I think I was slurring my speech, so I stopped there. Back at the office I had a cup of coffee and went in to the bathroom and slapped my cheeks so I could face the rest of the day. By the time I drove home I had a hangover. All of this on my first day on the job!”

When asked if he continued to drink after that initial lunch, he didn’t hesitate: “Absolutely. I loved it. I drank vodka martinis on the rocks the whole time I was at ABC.

On Mad Men there is hardly a scene without someone dragging on a cigarette. Skip confirmed that this was indeed the way it was. Offices were filled with ash trays and “98% of the people smoked.” Skip began smoking when he was 16. “It was considered a rite of passage at the private school I attended. I continued smoking until 1966. At that time I was skiing with a friend at Mammoth Mountain. He told me he was going to quit smoking that weekend and I decided I should too. Cigarettes gave me headaches and I knew they weren’t good for me. While people generally knew smoking was bad for them by this time, not very many people were quitting yet. Back at the office I had to explain to people that I didn’t smoke anymore and to some extent I was the odd man out. This remained the case well into the 1970s.”

“Honey,” “sweetheart,” “cutie,” these are the nicknames of the professional women of Mad Men. Skip confirms that this was the norm of the day. From his perspective it wasn’t derogatory, it was just the way things were. The secretarial pool was where most women in the workplace could be found but there were exceptions.

As a 21 year-old starting out at ABC, Skip had his own secretary and it was a 33 year-old man. “This was very unusual.” Skip’s second secretary was a woman and somewhat like Mad Men’s Peggy Olson. “My new secretary was very good and was eager for the job. She would do anything to break in to the advertising business and this was her chance.”

In the 1960s there were “a few women who were executives and they were treated like executives. I didn’t notice that they had less power than a guy. One thing I did know, however, and it’s something that everyone, especially women, knew, is that a woman always made less than a man. This was just accepted and I never heard anyone complain about it (although they may have privately).”

During his ABC years he was sent on a sales trip to San Francisco to meet an advertiser who was “an old broad in the business—that was the term people used at the time.” He was told to be prepared to match her drink for drink when they met as well as the admonition that no matter how she looks and acts, she remembers everything. (For Mad Men fans, imagine someone like season two’s character Bobbie Barrett, but 15 years older, at least 10 pounds lighter after years of rough living, and still very much in the game.) At the lunch they started putting down the martinis. Skip began to slow down his consumption while she steamed ahead. “She began to totter in her seat, and her face finally made contact with her plate. She sat back up and had a piece of lettuce on her forehead that stayed there for the rest of our meeting. Luckily it got knocked off as she stood up to leave.”

Skip says that the feel of Mad Men and the way that the show portrays the social mores of that era are “spot on.”   “I’m as much impressed with the set design, styling and wardrobe as anything else. The smoking looks overdone but it was that bad – enough to make you choke.”

In late 1966 Skip Branch returned to Salt Lake City. At the time ABC offered him a promotion with a good salary to take a job in New York. It was a great opportunity, but he missed the mountains and Alta, his favorite ski area. He was ready to return home. His first job in Salt Lake was as a copywriter. He quickly moved on to become an advertising sales manager at a Salt Lake City television station. In the early 1970s Skip opened his own advertising agency and has been on that side of the business ever since.

In the fourth season of Mad Men the show jumps forward a year from where it left off. The fictional agency from the first three seasons split apart and the show’s protagonist, Don Draper, just got divorced. With a new agency and a new life as a single man in New York this season opened with Don struggling to find his footing.

In 1963 a young Skip Branch found his footing with a start on the media side of the ad business. He had more children and his career flourished. The ABC experience was treated like an elite MBA when he returned to Utah. Skip remains actively engaged in the ad industry as a senior partner at RIESTER, a regional advertising agency with offices in Los Angeles, Salt Lake City and Phoenix. To many of us the early sixties seem very far away. For Skip Branch, it was when he came of age and launched his career as a Mad Man.

Jim Breitinger

Cammy Wagner, a RIESTER gem.

cammy new-1With her direct gaze, her vibrant red hair, her style and easy confidence, RIESTER’s Cammy Wagner is one of our great assets. Raised and educated in Nebraska, Cammy moved to Arizona just after college. She is one of RIESTER’s longest serving employees, having started with the firm in January of 1996.

Cammy is our Director of Integration, a role similar to the head of account services at other agencies. She is passionate about customer service, a characteristic that serves her and our clients well. This passion is evident in her adept way of working with people who have a wide variety of temperaments.  She simply enjoys people.

In the television show “Mad Men,” set in the early 1960s on Madison Avenue, Lane Pryce, a senior manager at the fictional advertising agency, explained to junior executive Pete Campbell why his competitor was promoted to head of account services instead of him. Pryce told Campbell: “You are excellent at making the clients feel their needs are being met, but, Mr. Cosgrove has the rare gift of making them feel as if they haven’t any needs.” By working tirelessly for our clients, Mrs. Wagner shares this rare gift.

Cammy explains how she works to maintain a win/win atmosphere between clients and the agency: “Always stay true to the strategy and do great marketing while never neglecting the goals and motivations of all of the individuals involved.”

When asked to describe Cammy in just a few words and phrases, Mirja Riester said: “She is my American cultural barometer. She is true, the real thing, raw, sassy.”

CEO Tim Riester offers this story, and some observations about Cammy:

“When we first were awarded the Scottsdale Convention & Visitors Bureau account, the client had worked with its previous agency for more than a decade.  They decided it was time to move their business to RIESTER, but they were concerned about uprooting such a long-standing business relationship.  Cammy led the transition for Scottsdale.  The client quickly told me they loved RIESTER’s motto, ‘You Got It.  We’re On It.’ Every time they assigned Cammy a project, they discovered that she was already on it.  What is amazing is that motto was not RIESTER’s, it was Cammy’s.

“She is one of those extremely rare, wonderful people who have endless energy and an honest desire to make sure everything is always done right.  She teaches all of our managers how to succeed by providing ‘You Got It. We’re On It’ service.

“I am proud Cammy has chosen to stay with RIESTER all these years. She is truly part of the heartbeat of our organization.”

Jim Breitinger

Mad Men, smoking and lung cancer.

The year is 1963 and Annabelle Mathis, an old flame of senior partner Roger Sterling, stops by Sterling Cooper, the fictional advertising agency on the television show “Mad Men.” She is in New York shopping for a new ad agency for her family dog food business, as well as possibly reigniting her romance with Roger. The show’s protagonist, Don Draper, is sitting in on the meeting with Roger and Annabelle. Annabelle says that she is now single because her husband died of lung cancer. He was 51. A moment after she delivers this news the camera cuts to Don Draper as he lights up a cigarette.

Lung cancer. Smoking. The juxtaposition is intentional.

This is classic “Mad Men.” The smoke is thick. Characters smoke in every possible setting, and they smoke often. The writers overdo it with the smoking to create a not so subtle visual reminder of the ethos of another time. From the first episode of the series titled “Smoke Gets in Your Eyes,” to the recent scene with Annabelle, a woman whose husband died from his addiction to nicotine, the air on the show is constantly clouded with tobacco smoke.

Because we understand fully today the true effects of smoking, there is little glamour left in taking a long drag and artfully exhaling smoke. RIESTER has been a leader in changing the character of our culture and its relationship with tobacco. One of our signature campaigns characterizes smoking in these words: Tumor causing, teeth staining, smelly, puking habit. There is another important word that describes smoking: killer.

Smokers are addicts. This is not an insult, it’s a physical fact. A massive and repetitious public awareness campaign has changed the way we think of smoking. While these efforts have not ended tobacco addiction, the mind shift that has occurred among millions of people is profound. Today a show like “Mad Men” can use smoking as a backdrop to help capture the feel of a different era. The thick smoke mocks another time. While people still smoke today, very few smoke in public places. The scene described above in “Mad Men” is almost unheard of today. Not many people can get away with smoking at work.

This is a good thing. There is no reason for Annabelle’s husband to be dead from lung cancer, though he was just a fictional character. Every day real people die as a result of their addiction to tobacco. We’ve come a long way since 1963, but the battle continues. Public awareness campaigns are one of the most effective tools available for breaking the grip of addiction.

The final episode of season three of Mad Men airs this Sunday on AMC.

Jim Breitinger

From Seneca Falls to Peggy Olson and beyond.

ElizabethCadyStanton-1848-Daniel-Henry

A woman from another time: Elizabeth Cady Stanton with her sons Daniel and Henry, 1848.

What good is activism?

Consider being a woman in the 1840s and deciding that enough was enough. Among other things you felt it was past time for your sex to have the right to vote. In 1848, at Seneca Falls, New York, an early women’s rights convention was held. The event is a significant milepost in the history of women’s rights in the United States. Elizabeth Cady Stanton authored and presented the Declaration of Sentiments at the convention. The document was worded like the American Declaration of Independence.

Of the three hundred attendees, only one hundred signed the Declaration: 68 women and 32 men. The Declaration demanded that women be given the right to vote as well as other civic and domestic rights and responsibilities.  It was considered a radical document in 1848, so radical that two-thirds of the attendees didn’t even sign it. Those gathered agreed that women needed more equality with men, but many felt that pushing for the right to vote was simply unrealistic and that it was pushing too far too fast.

If you were passionately devoted to that cause was it worth it? It wasn’t until 1920 that women won the right to vote on a national level in the United States. Most of those who were at Seneca Falls were long gone by 1920.

The actress Elizabeth Moss photographed in 2009. Moss plays Peggy Olson on AMC's Mad Men.

The actress Elizabeth Moss photographed in 2009. Moss plays Peggy Olson on AMC's television show Mad Men.

Jump forward to the early 1960s and consider the life of Peggy Olson. Peggy is a fictional character on the television show Mad Men,” which is set in New York City around the lives of the employees of Sterling Cooper, an advertising agency.  Peggy lives at another time that is pivotal for American women. Though women began to vote throughout the nation in the 1920s, and their vote had an immediate impact on electoral politics, it remained—from our perspective—a man’s world. Women had their place and with few exceptions, that was at home.

Peggy Olson came of age when doors that had long been shut began to let a few women through. Shy and timid when we first meet her in 1960, Peggy takes full advantage of the cracks in the structure to begin a rise through the ranks of Sterling Cooper. By the middle of 1963 she is a junior executive with her own secretary, she is confident, competent, and doing well—as well as can be expected for a career woman of her age and time.

Peggy is not the type of activist that marches in the streets, but she is a woman who knows what she wants in the workplace. There is a human tendency to believe that whatever you achieve is because of your individual efforts, your unique strengths, and your own gumption. It’s a tough world and whatever you make of yourself is a result of your own effort. There is some truth to this, but it is not the full story. It ignores a larger truth.

Every individual lives in a specific time and place. The opportunities that they have are largely dictated by factors external to them. If Peggy were just ten or fifteen years older her life would have taken a different course as a matter of necessity. Another character on the show, Joan Holloway (who marries and becomes Joan Harris), is almost ten years older than Peggy. Joan’s worldview as someone who needs to be subservient to men stands in stark contrast to Peggy’s. It isn’t clear that Peggy set out to become an executive, but as opportunities presented themselves she took full advantage of them.

At RIESTER, we salute the women and men who opened up the world so that women have more freedom in how they live their lives. We believe women deserve as much freedom to choose as men in how they contribute to society. Our staff is filled with women, including at the highest levels of the agency. Their careers are possible because of those who met in New York in 1848, the many who continued to pursue the goals of Seneca Falls in the decades that followed, and because of the real life Peggy Olsons who paved the way for them. RIESTER doesn’t exist in a vacuum.

A new generation of activists changed the role of women in American society again in the later 1960s and early 1970s. Our world today is radically different from Peggy Olson’s world of almost fifty years ago. Today women are contributing in ways, and on a scale, that is unprecedented in modern times.

RIESTER believes that activism, for the right causes, is a very good thing. We are here to be activists for your brand. Whether you’re selling a consumer product or a broader cause, RIESTER has the expertise needed to take your brand to the next level through Brand Activism–our unique approach to marketing.

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