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Posts Tagged ‘Skip Branch’

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RIESTER’s Skip Branch featured in the Salt Lake Tribune.

Huge congratulations to Skip Branch from everyone at RIESTER and from his many many friends and colleagues from years of service to advertising and his community. Skip began his career in 1963.

Mike Gorrell of the Salt Lake Tribune wrote this profile on Skip: “Fun-loving advertising executive honored with lifetime achievement award.”

skip w cocktail 63

Skip Branch, with cocktail, in 1963.

Skip Branch

RIESTER delivers for Utah Symphony | Utah Opera.

Doing great work is our goal.  One of the challenges is deciding what it is that makes work great.  At RIESTER, we use a process called the “4 BA’s.”  That stands for Brand Assessment, Brand Aspiration, Brand Activation and Brand Analytics.  Generally speaking, it’s a step-by-step approach to use all the marketing tools we have so that our communication is effective.  We want our communication to enhance the image of our clients as well as encourage consumers to engage.

We also want to be proud of the work we do.  We try and make sure that every project is of the scale and scope that we’re excited to bring it home; share it with family and friends.

Every year, we share our best work on another level, the American Advertising Federation awards for creativity.  And, of course, we win some, we lose some.

Among the awards won this year, were two radio spots created for Utah Symphony | Utah Opera.  Though both arts organizations are a vital and venerable part of the Utah community, each promotes their concerts to season ticket holders and new audiences.

“Shostakovich” for the Utah Symphony and “La Boheme” for the Utah Opera, were selected as Silver Award winners.

Both were created by RIESTER Creative Director, Jeff Bagley.   Jeff’s approach for Shostakovich was not only to enhance the image of the company and engage the symphony-goer, but approach it differently, so it would break through the clutter of commercial messages aired daily.  The approach was to have the composers speak of their work and invite the audience, in their own unique way, in the voice of their country of origin.

For the Utah Opera, Jeff used  sports announcers to relate “La Boheme,” in startling contrast to the way in which opera is usually described.

We thank Utah Symphony | Utah Opera for their trust and congratulate Jeff Bagley and the RIESTER creative team for their great work.

The two award winning ads:

Jim Breitinger

A Mad Man is Born.

Skip is second from the right, with his ABC colleagues in 1963.

Skip is second from the right, with his ABC colleagues in 1963.

In the late summer of 1963, a young man named Skip Branch set off from Salt Lake City for Los Angeles with his wife. The couple temporarily left their one year-old toddler at home in Utah with his grandparents as Mom and Dad set off for the big city to pursue a new life. Skip was putting himself on a path that would land him squarely into the world of TV’s Mad Men.

At 21 years old, Skip was only a few years younger than the fictional advertising executives and creative staff of the hit AMC show. He had no job lined up, not even any interviews — just a notion that he would become a writer or an actor. Somebody mentioned advertising to him as a possible career so his job search expanded in that direction.

In a month, Skip landed a job with the American Broadcasting Company (ABC) network working in advertising sales. His starting salary was $400 per month. The family moved in to a basement apartment next to the freeway and they barely had enough money for food.

Skip Branch had arrived on the ground floor of an industry at a time in America that Skip says is faithfully captured by Mad Men’s creator Mathew Weiner. His office was at Hollywood and Vine. The famous Hollywood Brown Derby–a place where deals were made–was around the corner. Brooks Brothers suits were the uniform of the day. Skip had arrived.

His first day at work played out like a scene from Mad Men. “Two of the guys I worked with took me to lunch. When we arrived, the waitress already knew what they were drinking: a vodka gimlet and a vodka martini on the rocks. I ordered a vodka martini on the rocks. Before we ordered our food we had to have a second round. One of the guys was on to his third drink by the time our food arrived. By then my cheeks were getting numb and I think I was slurring my speech, so I stopped there. Back at the office I had a cup of coffee and went in to the bathroom and slapped my cheeks so I could face the rest of the day. By the time I drove home I had a hangover. All of this on my first day on the job!”

When asked if he continued to drink after that initial lunch, he didn’t hesitate: “Absolutely. I loved it. I drank vodka martinis on the rocks the whole time I was at ABC.

On Mad Men there is hardly a scene without someone dragging on a cigarette. Skip confirmed that this was indeed the way it was. Offices were filled with ash trays and “98% of the people smoked.” Skip began smoking when he was 16. “It was considered a rite of passage at the private school I attended. I continued smoking until 1966. At that time I was skiing with a friend at Mammoth Mountain. He told me he was going to quit smoking that weekend and I decided I should too. Cigarettes gave me headaches and I knew they weren’t good for me. While people generally knew smoking was bad for them by this time, not very many people were quitting yet. Back at the office I had to explain to people that I didn’t smoke anymore and to some extent I was the odd man out. This remained the case well into the 1970s.”

“Honey,” “sweetheart,” “cutie,” these are the nicknames of the professional women of Mad Men. Skip confirms that this was the norm of the day. From his perspective it wasn’t derogatory, it was just the way things were. The secretarial pool was where most women in the workplace could be found but there were exceptions.

As a 21 year-old starting out at ABC, Skip had his own secretary and it was a 33 year-old man. “This was very unusual.” Skip’s second secretary was a woman and somewhat like Mad Men’s Peggy Olson. “My new secretary was very good and was eager for the job. She would do anything to break in to the advertising business and this was her chance.”

In the 1960s there were “a few women who were executives and they were treated like executives. I didn’t notice that they had less power than a guy. One thing I did know, however, and it’s something that everyone, especially women, knew, is that a woman always made less than a man. This was just accepted and I never heard anyone complain about it (although they may have privately).”

During his ABC years he was sent on a sales trip to San Francisco to meet an advertiser who was “an old broad in the business—that was the term people used at the time.” He was told to be prepared to match her drink for drink when they met as well as the admonition that no matter how she looks and acts, she remembers everything. (For Mad Men fans, imagine someone like season two’s character Bobbie Barrett, but 15 years older, at least 10 pounds lighter after years of rough living, and still very much in the game.) At the lunch they started putting down the martinis. Skip began to slow down his consumption while she steamed ahead. “She began to totter in her seat, and her face finally made contact with her plate. She sat back up and had a piece of lettuce on her forehead that stayed there for the rest of our meeting. Luckily it got knocked off as she stood up to leave.”

Skip says that the feel of Mad Men and the way that the show portrays the social mores of that era are “spot on.”   “I’m as much impressed with the set design, styling and wardrobe as anything else. The smoking looks overdone but it was that bad – enough to make you choke.”

In late 1966 Skip Branch returned to Salt Lake City. At the time ABC offered him a promotion with a good salary to take a job in New York. It was a great opportunity, but he missed the mountains and Alta, his favorite ski area. He was ready to return home. His first job in Salt Lake was as a copywriter. He quickly moved on to become an advertising sales manager at a Salt Lake City television station. In the early 1970s Skip opened his own advertising agency and has been on that side of the business ever since.

In the fourth season of Mad Men the show jumps forward a year from where it left off. The fictional agency from the first three seasons split apart and the show’s protagonist, Don Draper, just got divorced. With a new agency and a new life as a single man in New York this season opened with Don struggling to find his footing.

In 1963 a young Skip Branch found his footing with a start on the media side of the ad business. He had more children and his career flourished. The ABC experience was treated like an elite MBA when he returned to Utah. Skip remains actively engaged in the ad industry as a senior partner at RIESTER, a regional advertising agency with offices in Los Angeles, Salt Lake City and Phoenix. To many of us the early sixties seem very far away. For Skip Branch, it was when he came of age and launched his career as a Mad Man.

Jim Breitinger

Bill Levitt: The man who was Alta.

The long time mayor of Alta photographed in front of his humble Alta Lodge.

Bill Levitt, the long time mayor of Alta, photographed in front of Alta Lodge.

I met a man recently.

He’s no longer with us but he lives on—through the legacy of community.

His is a community in an exalted place. A place that exists high in the mountains.

This man gave refuge to the famous and the destitute. He ran an inn–a simple place, a place where family is paramount. When you visit his mountain lodge you feel like you’re home, surrounded by strangers and friends who it seems you have known your entire life.

This man brought other men together and showed them a path beyond discord.

His adopted home was a place called Alta, in the heart of Utah’s Wasatch Mountains.

At Alta you’re free, you’re elevated, you’re enveloped by a beauty that is of this world, but which gives you a sense of another world—a better world.

For half a century, a blink in time, he put his mark on this place.

His name was Bill Levitt. It is an honor to know him through his legacy.

Alta Ski Area is a client of ours. RIESTER Senior Partner Skip Branch is a long time member of the Alta Planning Commission and he was a close friend of Bill Levitt’s. When Skip told me about Bill I did some research and became captivated by this man who had such an impact on a place that I love. In addition to owning and running Alta Lodge, Bill was the mayor of Alta for 34 years. Learn more about Bill at the Alta Lodge website.

RIESTER

From the RIESTER family, a debut film by Brooks Branch: “Multiple Sarcasms.”

This Saturday, April 10, 2010 at 7 PM, there will be a screening of “Multiple Sarcasms” at the Phoenix Film Festival. The film was written and directed by Brooks Branch, son of Senior Partner Skip Branch. This is the first film by Brooks. He pulled together an A-list cast for his Hollywood debut.

“Multiple Sarcasms” Trailer from thatsfunny on Vimeo.

multiple s w tim

Skip Branch

A father’s amazement and pride that his son, Brooks Branch, made it in Hollywood.

Timothy Hutton and India Ennenga in Multiple Sarcasms by Brooks Branch.

Timothy Hutton and India Ennenga in Multiple Sarcasms by Brooks Branch.

Skip Branch is a senior partner at RIESTER. His son, Brooks Branch, is a film writer and director.

“It’s a real movie…an honest to God movie!”

That’s what I told my son on location in New York City two years ago while he was directing his first film.

I remember him looking at me oddly when I said it and have since heard about my improper comment during one of the on-going sessions with him, his brother and sister–when they gang up at my expense.

You see, on May 7th, 2010, Brooks Branch’s movie, “Multiple Sarcasms,” will premiere in New York, Los Angeles, Seattle and Salt Lake City.  He wrote and directed it.  It stars Timothy Hutton, Mira Sorvino, Dana Delany, Stockard Channing and Mario Van Peebles.

Brooks wrote the script five years ago while he was creative director at the licensing division of Paramount Pictures.  He didn’t know much about script writing so he would ask friends and associates how to go about it.  After a few revisions, one of his cohorts said they thought the script was good enough to consider selling it.

“Sell it?” he pondered.  “I don’t want to sell it, I want to direct it.”

The snickers and laughs he got from the audacity of his comment motivated, rather than discouraged, him.

I won’t take you through the litany of experiences from there.  Let’s just say that when I flew to New York City and visited him on an Upper West Side filming location and witnessed the film being made, the quote at the beginning blurted out.

I took a cab from the airport to the designated location.  The driver let me off at the end of the street because it was blocked off for the shoot.  I thought: How do you close down a street in New York City?

The street was filled with power lines, lights, trucks and people.  A lot of people. I  tip-toed around and through to see if I could spot my little boy.  As I got closer to the center of things, I saw a half dozen director’s chairs set up behind a camera. Getting closer, I saw Brooks (easy to spot, he’s 6’ 5”) surrounded by people asking questions, giving him advice, having him sign stuff and more.

He saw me, grabbed and hugged me, introduced me and showed me to one of the director’s chairs, just for me.

The day was amazing.  I first met Jacek Laskus, the award winning cinematographer, who was in serious discussion with Brooks and others about the set up for the next shot, how it would work from beginning to end, and so on.  Then I met Academy Award winner Timothy Hutton. Tim (as I can now call him after our day together), was genuine, down-to-earth, and very admiring and respectful toward my son. Equally charming was India Ennenga, an early teen actor who stole everyone’s heart.

“Action,” someone other than my son shouted, and India (Elisabeth in the movie), bursts out of a school door, followed by Tim (Gabriel in the movie and her father) apologizing for embarrassing her.  It was a 45 second scene that only took about three hours to shoot.  Not only was there take after take but adjustments to lighting, camera, extras, and even extraneous noise from a helicopter overhead.

And, all the while, many of the 60 or 70 people on the set, kept coming to Brooks for confirmation of this and a lot of that.

We broke for lunch where the conferences and interruptions with him continued.  I don’t recall if he ate anything.

There were two or three other scenes shot on that same location before they wrapped for the day.  I was exhausted.

The overall take away for me was watching my son handle himself and other people.  He had no attitude.  He listened to every person who approached him. He calmed people down. He built people up.  He was charming, and more important, kind.

“Multiple Sarcasms” is indeed a real movie.  It opens next month in 70 theaters across the country.

There is a screening this Saturday at the Phoenix Film Festival. Visit their website for more details.

Watch the trailer and some behind the scenes action on YouTube.

Stockard Channing and Dana Delany in Multiple Sarcasms.

Stockard Channing and Dana Delany in Multiple Sarcasms.

Skip Branch

Alta, I basically grew up there.

Alta Ski Area, a RIESTER client, is currently featured in the New York Times as one of the ten most affordable ski resorts in North America. In this post, senior executive Skip Branch discusses his long history with Alta, one of our country’s great mountain destinations.

RIESTER executive Skip Branch tears up a turn at Alta where he has been skiing since the 1940s.

RIESTER executive Skip Branch carves a turn at Alta where he has been skiing since the 1940s.

In 1948, my Dad moved our family from Pennsylvania to Utah. He was with the medical school at Penn and took a job with the medical school at the University of Utah. As a six year old, I knew nothing about skiing.  Dad thought I should learn.

Some of his new friends at the university touted Alta as the mecca for skiing.

In our first year, I remember two glorious weekends at Rustler Lodge.  Not only did we get to ski during the day but we stayed in the lodge overnight. A dashing Norwegian named Sverre Engen managed the lodge with his wife, Lois.  He was a member of his brother Alf’s ski school and Dad asked him if he would start me and my brother off.  As difficult as it was to learn the beginning techniques of skiing, I liked it.  I remember liking it so much that I was angry at my parents when there wasn’t an avalanche that would close the canyon causing us to be snowed in at Alta.

From there it was group lessons with other kids in the area and at school.  In High School, we all went skiing every Friday in the winter.  Also, by then, I was on the ski team and entered races around the area. Most often races were held on Saturdays and if you weren’t in the top 10, you’d have to wait until the newspaper came out Sunday morning for race results.  On a number of occasions, I would be first up, run get the paper, to find that I had placed 52nd or something like that. Hey, with over 80 racers, that’s not bad.

In 1963, after attending the University of Utah, I moved to Los Angeles to start a career in advertising. I only skied a few times. I’d fly home at least once during the winter and possibly ski a time or two at Mammoth Mountain in central California. After four years, skiing beckoned me home.   Our young family, moved back to Salt Lake.  Because of my position with the ABC Radio Network, I was able to parlay that into a job first as a copy writer at a local agency and later as national sales manager for the NBC TV affiliate, KUTV.

Alta_bluedot_logoThat first winter I was back to Alta.  An old friend was a ski instructor at the Alf Engen Ski School and thought that I might be able to get a position too. I met Max Lundberg and Alf Engen in October 1967, and earned a slot as a weekend instructor. Because of being a junior guy, I didn’t get the plumb assignment of teaching some gorgeous lady from New York to ski powder.  Rather, I got the kids from the Deseret Ski School who would come up to Alta every Saturday on school buses.

My first lesson was to see if I could get 50 kids between 8 and 12 years old into their skis and line up on the rope tow hill.  The lesson lasted two hours and by the end I was sweating badly from picking kids and gloves and poles and skis off the snow.  It worked.  They were all standing in a row.  Class dismissed.

I did that for two years, every Saturday and Sunday through the season. I became a better and smarter skier and met some marvelous people.  Though a rather macho sport, people who ski are generally very kind, courteous and a lot of fun–especially at Alta.

In a few more years, I had expanded my brood to three.  I had already introduced my oldest son, Scott, to Alta and as the other two got old enough, my youngest son, Brooks and his sister, Alison joined us.  Most Sundays through the ski season, I’d pack a lunch and the kids in the car and off we’d go.  They all started on the Alta Lodge rope tow. I’d place each kid between my legs and we’d whiz up the hill.  I wore through a pair of ski gloves every season trying to keep them from falling.  But we loved it.

So, the kids are grown and gone but each comes back to Alta every winter to ski their favorite mountain.

I’m now 67 and I heard Alta got two feet of snow yesterday. I’m outa’ here.

Utah is known for its great snow and Alta is the king of the powder receiving on average 500 inches of the white stuff every year. In this photo a telemark skier makes a turn at Alta--an American gem.

Utah is known for its great snow and Alta is the king of the powder receiving on average 500 inches of the white stuff every year. In this photo a telemark skier makes a turn at Alta--an American gem.

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